民宿酒店案例 | 隱入鄉野 · 息心廬：竹影里尋得自在、枕山聽泉望峰息心

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一、項目背景 | RESIDENTIAL DESIGN

安吉的鄉村靜謐祥和，街道上行人稀少，偶爾可見幾個老人和孩子緩緩獨行，仿若引領著人們踏入遠古的江南畫卷。正是在這一瞬間，我深深沉醉于這里的山水與村莊之中。或許是源于內心深處的懷舊情感在悄然涌動，又或許是長久的城市生活讓我對自然與鄉村充滿了向往。當我不經意間遇見息心廬的那些夯土老屋時，仿佛被一股無形的力量深深吸引，瞬間穿越回那寧靜美好的童年時光。

安吉縣山川秀麗，一山一水間，民宿零星點綴。天荒坪鎮橫路村被群山包圍，既有山水清流的靈秀，也有江南水鄉小橋流水人家的古樸神韻，民宿息心廬便座落其間。

The countryside of Anji is peaceful and serene. There are few people on the streets. Occasionally, a few elderly people and children can be seen walking slowly, as if leading people into the ancient Jiangnan painting. It was at this very moment that I was deeply intoxicated by the mountains, waters and villages here. Perhaps it is the deep nostalgia in my heart that is quietly surging, or perhaps it is the long-term urban life that has filled me with yearning for nature and the countryside. When I happened to come across those rammed earth old houses in Xi Xin Lu, I was deeply attracted by an invisible force and instantly transported back to those peaceful and beautiful childhood days.

Anji County is surrounded by beautiful mountains and rivers. Among the mountains and rivers, homestays are scattered here and there. Henglu Village in Tianhuangping Town is surrounded by mountains. It combines the elegance of clear waters and streams with the ancient charm of small Bridges, flowing water and houses in the water towns of the south of the Yangtze River. The homestay Xixinlu is located here.

二、設計理念 | RESIDENTIAL DESIGN

息心廬這一名稱源自南朝安吉籍詩人吳均在《與朱元思書》中所寫：“鳶飛戾天者，望峰息心；經綸世務者，窺谷忘反?！逼湓⒁庠谟跒槿藗兲峁┮粋€從紛擾塵世中抽身，讓心靈得以休憩的場所。該民宿由村中的幾棟老屋改造而來，與山勢巧妙融合。它完好地保留了房屋原本的布局以及原建筑中的夯土墻，并且在房屋周邊引入大面積裸巖山體，重現了安吉鄉村的原始風貌。

大概因為是沿著山勢而建，每棟房子都有不同高度的地坪。同時又在房子前砌上寬闊的觀景平臺，將大地有序地劃分，形成一個個獨立又緊密聯系的庭院。院中兩條小溪穿流而過，清澈見底，憑窗而望，可以看到溪水自山上涓涓而下。此外，這里還保留了原址所有的古樹木，只對裸露地皮進行了鋪設，輔以鮮花點綴。砌土石為墻，引竹林入房，息心廬整體上給人以返璞歸真的氣質。而每幢房屋原來門楣上古樸的題字，又恰好成了房間的名字。在此，住客仿佛與理想中的原始村落打了個照面。

The name "Xixinlu" originated from what Wu Jun, a poet from Anji during the Southern Dynasties, wrote in his letter to Zhu Yuansi: "The kite that soars against the sky, looks at the peak to calm the heart." Those who manage the affairs of the world will forget to rebel even when they see the grain. Its implication lies in providing people with a place to withdraw from the hustle and bustle of the mundane world and allow their souls to rest. This homestay was transformed from several old houses in the village and blends seamlessly with the mountain terrain. It has perfectly preserved the original layout of the house and the rammed earth walls in the original building, and introduced large areas of bare rock mountains around the house, recreating the original appearance of Anji's rural areas.

Probably because they are built along the mountain slope, each house has a floor of different heights. At the same time, a wide viewing platform was built in front of the house, dividing the land in an orderly manner to form independent yet closely connected courtyards. Two small streams flow through the courtyard, crystal clear. Looking out of the window, one can see the water trickling down from the mountain. In addition, all the ancient trees on the original site have been preserved here. Only the exposed land has been paved and decorated with fresh flowers. The walls of Xi Xin Lu are made of earth and stone, and bamboo forests are led into the houses. As a whole, it gives people a sense of returning to nature and simplicity. And the ancient inscriptions on the lintels of each house happened to become the names of the rooms. Here, the guests seem to have come across an ideal primitive village.

三、空間調性 | RESIDENTIAL DESIGN

該民宿由12棟房屋構成，然而僅設置了18間客房，把更多空間分配給了公共區域。每一棟房屋依據自身所處的環境特色，都被賦予了一個獨特的名字，并且在底層規劃設計了超大的休閑空間。

為了增強入住的舒適程度，每棟建筑在二層均增開了玻璃長窗。如此一來，在這里便出現了新材料與老建材的碰撞和融合。通透明亮的玻璃、亞光黑色輕鋼和夯土墻、黑瓦、老樹相互映襯，共同構成了全新的建筑風格。自然景致堪稱最好的裝飾，屋內梁架高高挑空，屋頂被改造成多重檐，借助空隙能夠將柔和的晨光引入屋內，同時借助一扇扇窗戶巧妙地模糊了自然與人工的界限。

This homestay consists of 12 houses, but only 18 guest rooms are set up, allocating more space to the public areas. Each house is given a unique name based on its own environmental characteristics, and a super-large leisure space is planned and designed on the ground floor.

To enhance the comfort of the stay, each building has added long glass Windows on the second floor. As a result, here emerges the collision and integration of new materials and old building materials. The transparent and bright glass, matte black light steel, rammed earth walls, black tiles and old trees complement each other, jointly forming a brand-new architectural style. The natural scenery is the best decoration. The beams inside the house are high and spacious, and the roof has been transformed into multiple eaves. Through the gaps, the soft morning light can be introduced into the house. At the same time, the Windows skillfully blur the boundary between nature and artificiality.

開放式的空間設計，挑高的手法，大量的原木橫梁與土夯墻，再搭配中式風格的條案、水墨畫和雅致的裝飾，顯得格外高貴與氣派?？头匡L格有原始的粗獷，卻也有藏不住的精致。古典山水畫裝點著白墻，獨特的花藝在光影中投射出曼妙的影子，還有些雅致的小物件被安放在房間的各個角落。部分裸露的夯土墻，就像一幅精致的畫被裱在大片的白墻中。輕觸墻壁，還會有黏土的粗糙感，這是一種渾融內斂的氣質，是歲月留下的痕跡。

The open space design, the high ceiling technique, a large number of wooden beams and rammed earth walls, combined with Chinese-style long tables, ink-wash paintings and elegant decorations, makes it particularly noble and imposing. The guest room style has a primitive ruggedness, yet it also has an uncontainable refinement. Classical landscape paintings adorn the white walls, unique floral arrangements cast graceful shadows in the play of light and shadow, and some elegant small items are placed in various corners of the room. The partially exposed rammed earth wall is like a delicate painting framed in a large white wall. When you gently touch the wall, you will still feel the roughness of the clay. This is a kind of harmonious and reserved temperament, a mark left by the passage of time.

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